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    <loc>http://www.juliahaw.com/press/2022/11/4/bum-guns-and-monk-selfies-at-fcc-by-the-khmer-times</loc>
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      <image:title>ARTICLES/INTERVIEWS - Bum Guns and Monk Selfies at FCC: By the Khmer Times - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.juliahaw.com/press/2018/12/5/the-greatest-of-gardens-imagination-and-artistic-mobility-an-interview-with-julia-haw</loc>
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      <image:title>ARTICLES/INTERVIEWS - Paintings Present an Outsider's Take on Cambodia | Phnom Penh Post</image:title>
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      <image:title>ARTICLES/INTERVIEWS - Brooklyn-Based Artist Showcases Work | AsiaLife Magazine</image:title>
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    <loc>http://www.juliahaw.com/press/2018/1/29/challenging-the-everyday-at-one-eleven-gallery-same-same-but-different-opens-at-one-eleven-gallery</loc>
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      <image:title>ARTICLES/INTERVIEWS - Challenging the Everyday: Same Same But Different Opens at One Eleven Gallery | Siemreap.net</image:title>
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    <loc>http://www.juliahaw.com/press/2016/5/17/arts-and-cultural-strategies-magazine-julia-haw</loc>
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    <loc>http://www.juliahaw.com/press/2016/5/17/chicago-art-world-julia-haw-on-leaving-chicago</loc>
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      <image:title>ARTICLES/INTERVIEWS - Julia Haw on Leaving Chicago | Chicago Art World</image:title>
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    <loc>http://www.juliahaw.com/press/2016/5/17/julia-haw-comfort-and-control-other-paintings</loc>
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    <loc>http://www.juliahaw.com/press/2014/7/16/the-unveiling-of-julia-haw</loc>
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      <image:title>ARTICLES/INTERVIEWS - The Unveiling of Julia Haw | adamgrossi.com</image:title>
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    <loc>http://www.juliahaw.com/press/2014/4/21/the-state-of-the-arts-artists-from-illinois-and-one-from-minnesota-make-monstrous-magic</loc>
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      <image:title>ARTICLES/INTERVIEWS - Vagina Dentata: Artist Julia Haw Bites Back | Chicago Reader</image:title>
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    <loc>http://www.juliahaw.com/press/2014/4/21/the-spooky-occluded-julia-haws-the-western-veil-by-daniel-maidman</loc>
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    <lastmod>2018-03-06</lastmod>
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      <image:title>ARTICLES/INTERVIEWS - The Spooky Occluded: Julia Haw's "The Western Veil" | Huffington Post</image:title>
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  <url>
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    <lastmod>2025-05-12</lastmod>
    <image:image>
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      <image:title>Work - THE DEATH PAINTING</image:title>
      <image:caption>18x24in., Oil on Linen, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1398711609351-S41NNKPCVHSQCKD7M0BG/The+Veil+of+Memory.jpg</image:loc>
      <image:title>Work - THE VEIL OF MEMORY</image:title>
      <image:caption>24X30in., Oil on Canvas, 2013, Collection of Maria Boncza-Skrzynecki</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1502233439612-QA4FIVIBHWOYOY30PSOL/CambodianSmile.JPG</image:loc>
      <image:title>Work - CAMBODIAN SMILE</image:title>
      <image:caption>12x16in., Oil and Swarovski Crystal on Arches 100% Cotton Oil Paper, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1564597084702-NRJQGOYXWMDB3B6K87IC/Hate+Crimes.JPG</image:loc>
      <image:title>Work - HATE CRIMES</image:title>
      <image:caption>Oil on Cotton Canvas, 28x36in., 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1480392498414-3F6SKGITVKHV5EUPTBNR/Paradise+in+Mar%C3%A9.JPG</image:loc>
      <image:title>Work - Paradise in Maré</image:title>
      <image:caption>Acrylic on Black Gesso Primed Panel, 2016 Have you ever seen the pale blue color of death?  I’d never been so close to this color before the day I witnessed a man die before me on Maré Island, New Caledonia.  It was the March of 2015 and I was on a one year anniversary holiday with my then boyfriend. We’d decided to celebrate with a 12 day cruise in the Pacific, as we’d initially met on a cruise. The celebration ended up turning into a cruise from hell - Before even embarking in Sydney, we were informed the ship would never make it to our primary location of Fiji due to a tropical cyclone coming up from the South and another cyclone coming down from the North, leaving our ship to precariously navigate between the both. The rest of our hopeful destinations included Vanuatu, Maré, New Caledonia, and Lifou, Loyalty Island.  We were stuck at sea igniting a deep restlessness and the situation continued to disintegrate - ranging from my catching a feverish illness, to the cyclone then destroying our other main port of call in Vila, Vanuatu and killing dozens of locals, to our rapidly deteriorating relationship and the worst, witnessing the death of a man in what was supposed to have been paradise.   We arrived in Maré, New Caledonia disembarking ship and climbing directly into several large buses that took us 30 minutes to a relatively remote beach.  As I looked out into the ocean I had an immediate sense of alarm.  Right before the viewpoint of the horizon, the ocean seemed to break, creating a distinct straight line of a crashing wave.  It was easy to see no one should ever go past that break, due to the reality of being swept away by large currents into the ocean.  My lover and I hiked across the rocky, off-putting beach in order to make the best of our last port of call and put on our snorkeling gear to begin exploring.  Our spirits were already so devastated and dampened but the sunshine was beginning to help as we stretched out on our towels and ate snacks after a long swim.   Suddenly, someone started frantically waving and screaming.  “MY FATHER! MY FATHER,” he cried.  A disabled man wearing arm braces was in a high state of distress while others dragged a man from the ocean.  I remembered the younger man from the ship -- his father lovingly pushed him around the dining hall in his wheelchair - they were clearly on a bonding family trip.  The mans body was limp and many started to surround him in a rush.  My partner ran across the beach as he was trained in CPR as well and several, including him, began to perform rounds of CPR.  “SOMEONE CALL AN AMBULANCE,” someone shouted.  The island locals weren’t equipped to get medical help there quickly and it was fourty-five minutes before anyone from Maré even arrived to assist.  We were left, all of us from the ship to try to save this man’s life.  “MORE TOWELS!,” someone cried.  We gathered all the blue towels from the beach and created a wall to shield this scene from onlookers and children on the beach.  We dug a trench to guard his body from the rising tide.  I will never forget this stain on my memory: from under the wall of towels people held up to surround him, the man’s hand poked through and lay outstretched in front of me.  The blue pallor of his skin was unlike anything I’d ever seen.  The son had long since left the scene... and I think he knew it was the end.  I watched him walk up and off the beach with his head down.  “This can’t be it,” I thought.   Everyone continued to take turns breathing life back into the man, losing hope, then gaining hope as we thought the color had returned. Any sign... By the time the EMT did arrive they didn’t use a defibrillator on him as perhaps they should have... rather continued CPR.  But it was too late.  It was too late.   We covered the man with the blue towels.  And there he lay in this Paradise of Maré, under all those blue towels.  His body was carted back onto the ship and put into the morgue, while his son continued the rest of the way back to Sydney.  What would that have been like to be his son and on the ship for the remainder of that horrible journey?  Everyone was furious and crying and in shock who had witnessed this.  Why didn’t the ship have medical assistance at this beach?  We felt so let down and drained of any happiness.  I managed to obtain the son’s email address as when my partner and I were looking through the photographs from the day, we realized we had inadvertantly taken the last photograph ever of father and son, alive and walking toward the ocean. We learned through the email from his son Nathan, after sending the photograph that the man’s name was Brian James Dann. He wrote the following:  “Thank you so very much for the photo and for your lovely email I very much appreciate your kind thoughts and best wishes at this difficult time. It is quite haunting but also very special to have one last photo taken together, luckily my dad was facing the right way. I do take comfort in knowing that it was such a beautiful spot and I just hope dad passed away peacefully in that lovely warm water. Please take comfort in knowing that the autopsy results have indicated that dad died from Ischaemic Heart disease ( commonly known as Coronary Artery disease) I know everyone did their best that day to save dad, but his heart had just given out and nothing could have saved him. Julia, I would be honored if you could dedicate a painting in my father`s name. What a lovely tribute. Kind Regards, Nathan Dann” This piece is created in honor of Brian James Dann, 20/01/1938 - 17/03/2015    </image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - THE GIFT HARE</image:title>
      <image:caption>12x16in., Oil on Arches 100% Cotton Oil Paper, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1391889335277-H7GBNZYXDPQZZPDE1ZPJ/The+Fear+of+Rob+Lee.JPG</image:loc>
      <image:title>Work - THE FEAR OF ROB LEE or THE SUBURBAN WAKE</image:title>
      <image:caption>21x24.75in., Oil on Canvas, Paper, 2011, Collection of Lee Nichols</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1613426499877-JRA1Z20MZDQCZ4T7HEJ0/Lucky+Liam.jpg</image:loc>
      <image:title>Work - LUCKY LIAM</image:title>
      <image:caption>12x16in., 2021, Oil on Cotton Paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1651619426966-7HO3N3CDJJPVMHQ6ZPDB/Rainbow+in+a+Field+of+Daisies.jpg</image:loc>
      <image:title>Work - RAINBOW IN A FIELD OF DAISIES</image:title>
      <image:caption>48x33in., Hand-Punched Yarn, Monks Cloth, Oil and Oak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1604436243457-Y91I5TCKIX9OZI2TSK3H/Neil.JPG</image:loc>
      <image:title>Work - NEIL</image:title>
      <image:caption>9x12in., Oil on Canvas, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52f674c6e4b0c80880eee368/1650977042279-3UYDT566GVFTD6V6T9WI/Heather.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>RENAISSANCE Acrylic on Acid Free Paper, 9x12in., 2020</image:caption>
    </image:image>
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  <url>
    <loc>http://www.juliahaw.com/about2</loc>
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    <lastmod>2020-04-25</lastmod>
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      <image:title>ABOUT/CONTACT</image:title>
      <image:caption>Coney Island, 2018. Copyright Amanda Olbrys</image:caption>
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  </url>
  <url>
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